I think there might be some confusion about why she’s acting the way that she is from the first episode, why she’s putting herself through that, from an outside perspective. I think her dad being supportive allows her to be where she’s at when we first meet her, so it’s pretty vital.Īs a trans woman yourself, why was it important to you to shape this character and have this deep, emotional backstory? To transition that young, you need the support of a parent or guardian because it’s hard to acquire the resources at that age to move forward with that process and be able to recognize all of your needs, mentally and physically. Why was that important to show that she had one supportive parent at home?įor Jules, it says in her story that she begins transitioning at 13 years old, which is pretty young in the scheme of trans people. Jules’ dad is really accepting of her transition as a teenager. I think it was something that intended to make her better but might have made her worse or made her feel more conflicted than she already was at the time. Obviously it’s sad and you really learn that she’s been through something transformative. As we’ve said as a cast before, each character is, in some ways, different facets of Sam and I think Sam brought a really potent moment of his childhood into Jules’ backstory. Talking to Sam about it some, a lot of this he’s pulled from his life directly. I was really curious as to how that formed her into the person we’re introduced to at the beginning of the series. Her backstory is really emotional and not something that I necessarily expected when reading the first three episodes. What was your reaction when you learned about her past? In this episode we see a young Jules tricked into going to a psychiatric hospital and becoming suicidal. The WB.Schafer, who is also trans, spoke to The Hollywood Reporter about her character’s emotional backstory, that Nate face-off and working with a trans consultant on set. The Liberatory Potential of Dawson’s Creek: Panicked Reactions to Teen Sex and Television in 1990s US Culture. The Ethiop’s Jewel Meets Euphoria’s Jules: Race, Gender, and Sexuality in an HBO Appropriation of Shakespeare. “HBO’s Euphoria Flashes 30 Penises on Screen in One Episode Alone.” Men’s Health. “HBO’s Explicit ‘Euphoria’ Courts Controversy: How Much Teen Sex and Drugs Is Too Much?” The Hollywood Reporter. The Prosthetic Penis and the Trans Penis: Changing Representations of and Cultural Discourses About the Penis. “Euphoria’s 30 Penises Scene Was Pointlessly Gratuitous When It Didn't Have to Be.” Esquire. “This show hits really close to home on so many levels”: An analysis of Reddit comments about HBO’s Euphoria to understand viewers’ experiences of and reactions to substance use and mental illness. We hope that our short essays help scholars to think not just about the controversies that surround Euphoria, but the show’s impact on popular culture and television. Beyond Marghitu’s book and these two scholarly essays, Euphoria has not been academically analyzed. Jennie Votava investigates how Euphoria appropriates Shakespeare (2020). dissect Reddit users' comments to scrutinize viewers' reactions to substance abuse and mental health issues (2021).
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Stefania Marghitu examines the series as part of her exploration of Gen Z TV (2021, pp.
287 see Romano, 2019), many media studies journals have forgone explicitly discussing Euphoria. In the case of Euphoria, the teen soap opera is mixed with graphic sex, drugs, and violence.Īlthough the press has covered the controversies surrounding Euphoria, and specifically the “30 penises flash onscreen” (Sandberg, 2019, n.p.) in the first episode (“Pilot,” 1.1) (see Kirkland, 2019 see Lehman, 2020, p. In this way, HBO creates its brand by marrying conventional TV genres with NSFW content. “Series creators working for HBO are allowed the creative freedom to present language, nudity and violence that far exceeds the MPAA (Motion Pictures Association of America) rating of NC-17” (Tait, 2008, p. The TV-MA content in Euphoria comes with the territory of HBO–the company that greenlit Sam Levinson’s project.
The controversies surrounding Dawson’s Creek (Williamson, 1998-2003), for instance (Webber, 2019), pale in comparison to Euphoria’s. The series has proven to be far rawer and grittier than previous teen shows. Euphoria (Levinson, 2019-present) has redefined teen TV.
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